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Home FEATURES Shalo P Interview

Shalo P Interview
Written by Alex Braubach   
Friday, 30 July 2010 10:20
Shalo P is a SF based audio-visual artist who recently exhibited a selection of 14 drawings at Ever Gold Gallery coinciding with the recent release of his self-published “LOVE IS SUCH A DANGEROUS GAME”. The zine, containing work created in a two year period chronicles memories, longing and catastrophic situations in post-modern copy/past collage fashion. They're meticulously wild drawings and really deranged ones at that. The zine comes in two limited versions and are available at the Ever Gold as long as supplies last. It's an absolute gem, so make sure you get yourself a copy. It’s probably the best $8 I’ve ever invested. -Alex Braubach

AMB: I’ve known you since our school days at SFAI and had plenty of opportunities to see your work evolve in the past years. It’s really interesting to see how you have developed from "The Tormentors" paintings you exhibited at Meridian Gallery years ago to what your up to with your video-based performances at New Langton and elsewhere. Your current show at the Ever Gold is an exhibit of drawings. It’s like you’ve come full circle with “Love Is Such A Dangerous Game”. Please describe your current work, the drawings, and how they relate to your previous work.

SP: The work is a barrage of symbols and signs. It’s dense stuff that also seems fit to just be “in the moment”, not only as some mutilation of the bizarre nature of things but also embracing the ways of seeing to varying degrees. You know, as drawings, comics strip and other visual forms. My current works are like celebrations to living at the start of a very weird age.

My conceptual framework hurtles into these different directions and they always seem organic and mine. I’m producing floorshows and farewell concerts with the FRIENDSHIP FRIENDS FOREVER (rainbow band), making videos under the TELEVISION FOR GHOSTS / 2084 FLOORSHOW umbrella, and making images that relay the totemic themes behind all the other work. I shuffle around in formats but the big difference is how close they are to me, personally.

Before I moved to SF I was just a writer, and words just made so much sense to me. Then they seemed phony, manipulative and limited in a world with hypertext in it, a world with so much goddamn subtext to what was lurking under in it’s big storm of changes, in its unconscious birthing of memes. Words were meaningless in the face of the connections between them, in the changing face of how books were produced, in the questions concerning the changes in information retrieval itself. This was big to me - the new ways of experiencing “stuff”, from how we communicated these changes to the part that images play with culture and memory. So I went from writing dialogues to making data maps.

Then I got into imagery again, especially the Medusa, the representation of the incomprehensible. That’s what got me into The Tormentors – relationships - the walls between things breaking down. It was car crashes. Have you ever seen one? It's like that Raymond Carver story "Popular Mechanics", it's a raw moment of chance and horrible corrupted beauty. Things change irrevocably. Well, the drawings... They're my landscape of these feelings - the innate vile beauty of car crashes, the taste of sweat, the medusa's gaze, sexual fantasies, self representation, time and memory - that whole gag. What's the personal side of a good sinner?

AMB: Freddy Krueger.

SP: Hey man, are you going put some cool hyperlinks?

AMB: I can try. I don’t know.

SP: It’ll make it all so much clearer.

AMB: Well, maybe just that last paragraph.

SP: Cool.

AMB: Looking at your zine it becomes very clear that you are as much a storyteller as you are an artist. One of the most distinct characteristics of your drawings are the layers of narratives spreading out on the picture planes like colliding comic strips. There are also so many pop culture references that it's familiar at the same time. Yet, they appear constantly mashed up with violent faces and contorted bodies. Describe some of the motifs in your work. I’d also be curious if you could elaborate on the narrative that runs throughout “L.I.S.A.D.G”

SP: I'm really into stories and how things unfold. Stories involve us with the act of perception as things reveal themselves. The recurring motifs are partly based on the patterns of actions between personal experiences and their various guises or surrogates. To construct a visceral realness of emotions while interlacing them into my specific sort of narrative structure is part of the game. The overall narrative is embedded in its overlap and resurgences in the time frame. That’s my storytelling method. I take things quite literally and way too seriously but it’s fun to play because I also take fun seriously too. The characters usually change shape, destroy themselves, become dissimilar, entwine or explode. The layering comes from the ways I interpret them in their locked position on the plane. They're trapped, yet receding into some obscure chapter, blending fragments from other drawings while in violent stasis. I really care about time and how we remember things, how the past changes when we look at it and how the future does likewise. I'm the type that lives “in the moment”, most don't know how trapped you can feel following your own impetuous brash arrogant nature to its honest conclusion. You get thrown to the wolves of life and it's glorious. Can you put that in parentheses? (I like parentheses)

AMB: ok

SP: Can you write this in parentheses? (SP motions to AB, ruffles his hair, pushes the beer can off the table and kicks it into the wastebasket)

AMB: You missed.

SP: Yeah, but if the parenthesis says otherwise, who cares?

AMB: Your drawings also remind me a lot of dioramas or play-stages. You used to write plays and I remember your early video-based performances with Johnny Rogers being very theatrical, using multiple props and costumes and always seemed to slip from one personality to another. How much is the picture plane a performance space to you? Do you feel you are acting out certain situations on a 2 dimensional plane?

SP: Yeah, those were so fun! Good ole’ Johnny Rogers... He's a goddamn saint and I love him. Those performances were thrills because they were challenges. And also because the whole thing about being pupil-less Sonny and Cher stepping out a magic white door of light from the basement of black hotel sounded like a blast. Those performances were manic. It’s from stage fright. It’s the same case in the drawings. I’m going to make something coherent and cohesive to the whole, enriching it with another fragment while kicking myself if I’ve put too much of myself into it. I went as far as I could go with those shows for a bit, even singing the original 2084 Floorshow finale nude. Nowadays, I'd rather just throw smoke bombs into crowds while carrying an amp and a mike trying to sing Elton John's "Love Lies Bleeding" or the Bowie cover of "Sorrow" from Pin Ups. I want to capture true spiritual moments, or those cathartic moments you get from “making” that comes off in the work - like Goya's Caprichos. I value raw honesty.

AMB: Do you think of yourself as shy?

SP: Yep. I think of myself as a shy person.

AMB: You stated in a prior interview, that you had a phase when you read a lot of Last Gasp comics. I can see some Robert Crumb in your work. I also see some Art Spiegelman and definitely Matt Groening. Name some other artists, entertainers or storytellers that influence your art.

SP: Oh man, Last Gasp! I love that stuff. I met Ron Turner once. He thought I was on speed or something because I was nervous and sweaty. I was dragged to see him and clammed shut. While we talk about Last Gasp, I also mean the array of publishers and things that inspire me from that interconnected family of counter-culture. I mean… Rip Off Press, Moscoso, Skull Comics, Skip Williamson and the really obscure stuff too. I do a lot of research. Getting into that really opened possibilities. Every time I see bikers now I want to see them rumble. Luckily, I’m surrounded by so many interesting people, Peter Hurley, Mark Mulroney, Cortney Cassidy, Alex Heilbron, Andy Burkholder... I could talk about shit that blows my mind for hours. I’ll leave a list of “awesome” at the end.

AMB: What inspired the title: “Love Is Such A Dangerous Game”?

SP: The name came from the days of the Casserole Club, a fun drawing club I used to attend. One day I was just sick to my stomach. Tears were welling up inside me and I felt like stabbing myself when this pretty song came up and I thought "aww shucks". That was it. I used to be troubled. Now I'm just troubled squared.

AMB: Help me out with this one. In your artist statement for the show you stated “Who could have thought that one could learn so much about neurotic desire by seeing Bart Simpson wink at you while showing you his asshole?” Could you be a little more specific?

SP: It actually comes from remembering that that was me: Bart Simpson looking provocatively over my shoulder nude at a party. The act of looking deep and remembering who you are in separate phases: It feels heavy. Your self-image exists through the bits you leave around in people's unreliable memories.

AMB: What are you excited about these days?

SP: I'm super excited every day - all the time. But I’m also watching. Did you ever read Alan Moore’s Watchmen? There’s a scene near the end where Ozymandias stares at television monitors and tries to draw out the patterns of a dominant worldview emerging from the chaos of a thousand TV screens. It’s interesting... I'm excited what going on in the sound scenes. I’m excited by where videos are going. This age has got something real different than any of the rest of them. Who knows what’s in its sleeve? It isn't just glitter and smoke, man.

AMB: What kind of projects do you have in line for the future?

SP: I’m currently producing tracks for the new FRIENDSHIP FRIENDS FOREVER (rainbow club) LP off Queens Nails Records later this year. I’m also forming an Optronica label called THE WALL OF FIRE with musicians Shimomitsu and Softserve. I’m really amped about Alternative Digital Domains, a really rad collaborative effort between Other Cinema's Craig Baldwin and Cyrus Tabar (Yoshi Omori). The idea behind it is awesome. A festival you can attend and take home. I'm also super excited about zine fest later this year.

AMB: I remember you telling me how growing up in Miami involved a lot of crocodiles. What should a Californian know about crocs?

SP: Alligators. Alligators. Alligators everywhere. Alligators pulling you under the floorboards and through the window. Dragging your ass to hell. Dragging your ass to hell and whistling.

AMB: If you had a superpower - what would it be?

SP: No way, man... I may as well get something… like laser eyes. You give me shit, motherfucker, and I laser your ass. I'd get the sex perverts first, then the fornicators and sodomites, then the republicans, God and all of space. Wait! I want the power to be good and beautiful and love true (and every now and then warp reality when its stupid ass starts acting backwards). AB: Isn't that what artists do? SP: If they do it right.

Shout outs

google the fearless beasts: AWESOME LIST! James T. Hong & Jin-yu Chen, Sean Niesen, Alex Paris Heilbron, Peter Hurley, The New Jedi Order, Hooliganship, Extreme Animals, SoftServe, Wigwaum and Craig Baldwin, Shimomitsu, Danny Espinosa, Cortney Cassidy, Nerfbau

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BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


Jeremy Fish at LA's Mark Moore Gallery

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

London based illustrator FRENCH recently held a show of new works at the Melbourne based Mild Manners


Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

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"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".





contact FF

Alex Ziv in Berkeley Saturday
Thursday, 24 April 2014 09:31

Alex Ziv who we showed last year in Going Nowhere with Mario Ayala opens a solo show featuring new works at The League in Berkeley this Saturday 4/26. ~see some of Ziv's new works

 

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Wednesday, 16 June 2010 16:39


Check please with Ryan Travis Christian
Wednesday, 23 April 2014 09:23

CHICAGO --- Ryan Travis Christian opens his second solo show Check please with Western Exhibitions this Friday, April 25th featuring graphite on paper drawings of his signature cartoon-style alongside a second suite of works on paper and sculptures that employ color. ~show details

Photos from his 2011 show at Guererro Gallery - Photos from his 2012 Halsey McKay show in New York - he curated this show for FFDG in '11

Ryan Travis Christian April 25th at Western Editions, Chicago

 

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Wednesday, 25 April 2012 10:56

 

Ryan De La Hoz at Seattle's Flatcolor
Tuesday, 22 April 2014 10:52

SEATTLE --- San Francisco based Ryan De La Hoz opens a show of new works at Flat Color on May 1st. We love Ryan's work and have shown it many times throughout the years. Ryan will be also showing at LA - Juxtapoz Psychedelic Show, The Well, LA, CA April 26th 2014 - SF - Paper Cuts, Spoke Art, SF, CA May 3rd 2014

Working in unconventional mediums such as woven blankets, puzzles, and faux marble, De La Hoz has pioneered an innovative style in a class of its own. Collages of white noise, flowers and tie-dye are all hand cut and assembled to create mystic portals of intrigue. Heavily influenced by themes of death and rebirth, past and present, and the collision of modern culture with antiquity; Form and Void is mysterious look into the odyssey of creation, destruction, and an examination of society at large. -show details

 

SSSSHHH, It's the Quiet Life
Monday, 21 April 2014 12:03

Hats, all over prints, 5 panel hats... it's all a bit obvious, but it's also how we dress and the QUIET LIFE'S PALM SPRINGS COLLECTION is looking breezy for the summer with no socks in the desert dust. ~take a tour

 

"Arrangement" by Michelle Fleck
Friday, 18 April 2014 10:23

This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.

Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net

Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.

 

Nychos Friday @Fifty24SF
Thursday, 17 April 2014 10:46

SAN FRANCISCO --- You've seen the murals pop up around town the last week from this Austrian street artist as he prepares for his solo show at Fifty24SF opening this Friday, 4/18.

GET THE SHOW DETAILS --- a bunch of NYCHOS

 

Banksy's Mobile Lovers
Wednesday, 16 April 2014 10:47

Speaking of Banksy (wait, were we speaking of Banksy?)... In any case, love his newest creation "Mobile Lovers" located in Bristol, England.

I love you, dear.... Huh? Wut?

 

Jeremy Fish Opening a Solo Show in August at FFDG
Tuesday, 15 April 2014 09:33

Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.

Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.

Beering with Fish at his favorite watering hole, Zeitgeist

 

Statue Of A Homeless Jesus Startles A Wealthy Community
Monday, 14 April 2014 10:20

Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON

 

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Wednesday, 25 August 2010 11:50


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ClipODay II: Needles & Pens 11 Years!!

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.


BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


Jeremy Fish at LA's Mark Moore Gallery

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

London based illustrator FRENCH recently held a show of new works at the Melbourne based Mild Manners


Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

I purchased one of the first digital cameras when Fecal Face went online in 2000. It was a massive Kodak with 2 mega pixels


"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".


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